houshang zamaniazim; Azam Ravadrad; mahnaz ronaghi noutash
Abstract
In this article, an attempt has been made to study the sociological policies of the cultural-artistic reform discourse and its effect on film productions, and by using the method of critical discourse analysis, the works of film production have been investigated. The intellectual system of the article ...
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In this article, an attempt has been made to study the sociological policies of the cultural-artistic reform discourse and its effect on film productions, and by using the method of critical discourse analysis, the works of film production have been investigated. The intellectual system of the article consists of three analysis components.The discourse of"Lakele and Mouffe",critical discourse analysis of "Fairclough"and discourse theory of "Michel Foucault" and the use of discourse analysis in the research method based on the combination of the two approaches of "Lakele and Mouffe","Fairclough and Van Dijk" and by studying film productions Reform discourse was used. In this regard, the film"Born in the month of Mehr"was chosen as an example of analysis due to the presentation of two different frames from the discourse period before and after. In the following, by summarizing the cultural-artistic policies of the dominant discourse, it can be concluded that with the change Gradually and not fundamentally in the meaning of the central signifier, a significant effect was created in the field of culture and art, this process was so positively evaluated by the audience of art that the cinematographic productions in the subsequent discourses were also greatly influenced by it
houshang zamaniazim; azam ravadrad; mahnaz ronaghi noutash
Abstract
Since a long time there has been the influence of the ruling class's tendencies on the works and achievements of different people in the societies,cinema as one of the individual and collective achievements has not been exempted from this rule. In the country of Iran, which experienced tremendous discourse ...
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Since a long time there has been the influence of the ruling class's tendencies on the works and achievements of different people in the societies,cinema as one of the individual and collective achievements has not been exempted from this rule. In the country of Iran, which experienced tremendous discourse changes with the occurrence of one of the biggest revolutions of the century,the sociological investigation of this discourse change and its effect on artistic works and productions has been worthy of attention and study. Therefore, the study of the prevailing approaches in the field of planning and determining artistic-cultural policies in the first years of the Islamic Revolution is one of the constituent elements of this article.The question is,to what extent have those involved in the production and production of a film in the country paid attention to these policies? In other words,to what extent have the discourse relations of the political system ruling the society penetrated into the country's cinematographic works,and to what extent has the success or failure of this discourse been? Therefore,by analyzing and interpreting cultural policies and their role It has been studied in the formation of works of art with the method of critical discourse analysis
